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    <title>Errata</title>
    <link>http://www.erratamag.com/</link>
    <description>A weblog about movies, mostly</description>
    <language>en-us</language>
    <copyright>Copyright 2011</copyright>
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        <item>
        <title>The Future is Plastic</title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/08/the_future_is_p.html</link>
        <guid isPermaLink="false">417@http://www.erratamag.com/</guid>
        <pubDate>Thu, 14 Aug 2008 12:30:08 -0800</pubDate>
        <description><![CDATA[            <p>Well, I've had such fun working on the <a href="http://www.erratamag.com/podcast">podcast</a> with fellow film writer J. Robert Parks that we've decided to launch a new movie web site full of reviews, interviews, and textual mayhem. And with what will likely turn out to be a crippling degree of boldness, we've included a posting frequency in the site's very name.</p>

<p>It's called <a href="http://www.dailyplastic.com/"><i>Daily Plastic</i></a>, and I hope you'll check it out. The podcast will be moving over there, but the transition should be seamless. And I'll be posting more frequently than I do here at good ol' <i>Errata</i>, beloved and cob-webby.</p>

<p>I've been hooking up technical do-dads, so Mr. Parks has taken more than his fair share of the pizza, but not to worry. I fully intend to sabotage the remaining pieces by picking off the anchovies. Wait, back up. I fully intend to carry my own weight as we go forward.</p>

<p>More plastic goodies are in the works. Do not be daunted by the movie grid. It's there to help.</p>
            
            
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        <item>
        <title>Discussion: Killer of Sheep</title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/07/discussion_kill.html</link>
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        <pubDate>Sat, 26 Jul 2008 14:46:54 -0800</pubDate>
        <description><![CDATA[            <p><img alt="Killer of Sheep" title="Killer of Sheep" src="http://www.erratamag.com/images/killerofsheep.jpg" width=470 height=360><br><span class="caption">Charles Burnett's <i>Killer of Sheep</i> (1977).</p>

<p>In this episode of the podcast we talk about a great American film, Charles Burnett's debut feature <i>Killer of Sheep</i> (1977)</p>
<p>
<b>0:00</b> Intro<br>
<b>2:07</b> <i>Killer of Sheep</i><br>
<b>9:27</b> The Gradual Reveal / Kids and Adults<br>
<b>12:19</b> Improvised Games<br>
<b>14:55</b> Continuing a Tradition<br>
<b>16:48</b> Stan's Malaise<br>
<b>18:31</b> Bittersweet Humor / Sisyphean Struggle<br>
<b>22:53</b> Clip: Stan's Wife Dispatches Unsavory Characters<br>
<b>24:00</b> Pulling Stan Out<br>
<b>25:35</b> Captured Moments, Real Settings<br>
<b>27:12</b> Issues of Class<br>
<b>28:37</b> Low Placement of the Camera<br>
<b>32:11</b> Long Shot to Close-Up<br>
<b>33:30</b> Burnett's Other Films<br>
<b>39:08</b> This Bitter Earth<br>
<b>40:45</b> David Gordon Green on <i>Killer of Sheep</i><br>
<b>43:01</b> Outro
</p>
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        <title>Defamed</title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/06/defamed.html</link>
        <guid isPermaLink="false">415@http://www.erratamag.com/</guid>
        <pubDate>Fri, 20 Jun 2008 19:23:57 -0800</pubDate>
        <description><![CDATA[            <p>Hey, my review of <i>The Love Guru</i> <a href="http://www.defamer.com.au/2008/06/dave_letterman_hasnt_the_faintest_clue_what_it_is_jane_krakowski_is_talking_about-2.html">made <i>Defamer</i></a>. Or, rather, my tomato rating did. The review itself is quite <a href="http://www.pastemagazine.com/action/article/7615/the_love_guru">mixed</a>.</p>
            
            
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        <title>Reviews: Summer Speed Round</title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/06/reviews_summer.html</link>
        <guid isPermaLink="false">414@http://www.erratamag.com/</guid>
        <pubDate>Fri, 13 Jun 2008 20:30:39 -0800</pubDate>
        <description><![CDATA[            <p><img alt="The Happening" title="The Happening" src="http://www.erratamag.com/images/thehappening.jpg" width=470 height=312><br><span class="caption">Zooey Deschanel and Mark Wahlberg in M. Night Shyamalan's <i>The Happening</i>.<br> Photo credit: Zade Rosenthal</span></p>

<p>On this episode of the podcast, we speed through brief reviews of 18 summer movies, including the new film by M. Night Shyamalan called <i>The Happening</i>.</p>

<p>Like the wheels of a big rig, each of these films has a different size, shape, color, and decibel level. Some are clearly overinflated, some might benefit from an injection of air, and some have nails driven into them by rivals who are sick and tired of a driver who lets his speed fluctuate so wildly. Some are shaded by mud flaps with shapely women silhouetted in chrome, others by Yosemite Sam who urges you and yours to call an 800 number if you see the driver texting from the wheel, immediately, using your mobile <i>carefully</i> as you try to draft off of this erratic mofo. Some, frankly, have been reduced to flayed strips of rubber and stirred with unlucky, misshapen armadillos on the shoulder, but not by the likes of us.</p>

<p>Eighteen wheels from a thirty-ought-six, comin' straight at ya. Eighteen full and considered film reviews, conceived not at all hastily but presented as though they were, an illusion accomplished not with mirrors but by speaking at double the accepted conversational rate. Consider yourself forewarned.</p>

<p><a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259670915">Subscribe in iTunes</a> and you'll get a program with the following chapter stops built-in for easy jumping, complete with links to the appropriate trailers:</p>
<p>
<b>0:00</b> Intro<br>
<b>1:35</b> <a href="http://www.apple.com/trailers/paramount/indianajonesandthekingdomofthecrystalskull/">Indiana Jones and the Kingdom of the Crystal Skull</a> (Spielberg)<br>
<b>10:07</b> <a href="http://www.apple.com/trailers/fox/thehappening/">The Happening</a> (Shyamalan)<br>
<b>15:09</b> <a href="http://www.apple.com/trailers/dreamworks/kungfupanda/">Kung Fu Panda</a> (Foshko)<br>
<b>17:01</b> <a href="http://www.apple.com/trailers/independent/mywinnipeg/">My Winnipeg</a> (Maddin)<br>
<b>20:06</b> <a href="http://www.apple.com/trailers/picturehouse/mongol/">Mongol</a> (Bodrov)<br>
<b>22:54</b> <a href="http://www.apple.com/trailers/independent/warinc/">War, Inc.</a> (Seftel)<br>
<b>24:49</b> <a href="http://www.apple.com/trailers/independent/romandegare/">Roman de gare</a> (Lelouch)<br>
<b>28:37</b> <a href="http://www.apple.com/trailers/wb/speedracer/">Speed Racer</a> (Wachowski & Wachowski)<br>
<b>31:03</b> <a href="http://www.apple.com/trailers/paramount/ironman/">Iron Man</a> (Favreau)<br>
<b>35:21</b> <a href="http://www.apple.com/trailers/sony/redbelt/">Redbelt</a> (Mamet)<br>
<b>38:24</b> <a href="http://www.apple.com/trailers/independent/shotgunstories/">Shotgun Stories</a> (Nichols)<br>
<b>41:34</b> <a href="http://www.apple.com/trailers/paramount_vantage/sonoframbow/">Son of Rambow</a> (Jennings)<br>
<b>43:50</b> <a href="http://www.apple.com/trailers/miramax/reprise/">Reprise</a> (Trier)<br>
<b>46:08</b> Three Films by <a href="http://www.apple.com/trailers/independent/theduchessoflangeais/">Rivette</a>, <a href="http://www.apple.com/trailers/independent/thelastmistress/">Breillat</a>, and <a href="http://www.apple.com/trailers/magnolia/boardinggate/">Assayas</a><br>
<b>49:47</b> <a href="http://www.apple.com/trailers/fox_searchlight/youngatheart/">Young@Heart</a> (Walker)<br>
<b>55:18</b> <a href="http://www.imdb.com/video/imdb/vi2783117593/">Stuck</a> (Gordon)<br>
<b>57:20</b> "The end is important in all things"<br>
<b>58:29</b> Outro
</p>


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        <title>Interview and Discussion: Errol Morris</title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/06/interview_and_d.html</link>
        <guid isPermaLink="false">413@http://www.erratamag.com/</guid>
        <pubDate>Sun, 01 Jun 2008 22:06:24 -0800</pubDate>
        <description><![CDATA[            <p><img alt="Standard Operating Procedure" title="Standard Operating Procedure" src="http://www.erratamag.com/images/standardoperatingprocedure.jpg" width=470 height=313><br><span class="caption">Filmmaker Errol Morris on the set of <i>Standard Operating Procedure</i>.<br>Photo by Nubar Alexanian &copy;&nbsp;2007&nbsp;Max&nbsp;Ave&nbsp;Productions. Courtesy Sony Pictures Classics.</span></p>

<p>On this episode of the podcast, J. Robert Parks talks with filmmaker Errol Morris about his new film, <i>Standard Operating Procedure</i>, then we reconsider the film to see if our comments from <a href="http://www.erratamag.com/archives/2008/05/reviews_the_vis.html">Episode 16</a> hold up in light of the interview, a second viewing, and Morris's writings and public statements.</p>

<p>
<b>0:00</b> Intro<br>
<b>3:52</b> Interview: Errol Morris<br>
<b>20:13</b> Interview (continued): "I like trouble"<br>
<b>27:24</b> Interview (continued): "A problem with my art"<br>
<b>32:42</b> Rob's Second Viewing<br>
<b>38:12</b> Depicting Atrocities: Resnais, Lanzmann, Farocki<br>
<b>43:32</b> External Ideas: The Drop of Blood<br>
<b>44:58</b> Ambiguous Stance: Morris's Voice<br>
<b>48:36</b> The Title: Threading the Needle<br>
<b>49:54</b> Cynical View vs. Benefit of the Doubt<br>
<b>52:14</b> Give Me Thoughts, Let Me Think<br>
<b>57:01</b> The Distracting Beauty of Images<br>
<b>1:00:33</b> Outro
</p>


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        <title><![CDATA[Reviews: The&nbsp;Visitor, Stop-Loss, Standard&nbsp;Operating&nbsp;Procedure]]></title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/05/reviews_the_vis.html</link>
        <guid isPermaLink="false">412@http://www.erratamag.com/</guid>
        <pubDate>Fri, 23 May 2008 08:00:00 -0800</pubDate>
        <description><![CDATA[            <p><img alt="The Visitor" title="The Visitor" src="http://www.erratamag.com/images/thevisitor.jpg" width=470 height=314><br><span class="caption"><i>The Visitor</i> (McCarthy)</span></p>

<p>On this episode of the podcast, we're talking about three movies that are currently playing in theaters around the country: <i>The Visitor</i>, <i>Stop-Loss</i>, and Errol Morris's <i>Standard Operating Procedure</i>, and we'll also hear a brief interview with the writer and director of <i>The Visitor</i>, Thomas McCarthy.</p>

<p>
<b>0:00</b> Intro<br>
<b>2:12</b> <i>The Visitor</i> (McCarthy)<br>
<b>9:31</b> Film Critic as Consumer Guide<br>
<b>12:37</b> Interview: Thomas McCarthy<br>
<b>20:59</b> <i>Stop-Loss</i> (Peirce)<br>
<b>27:32</b> <i>Standard Operating Procedure</i> (Morris)<br>
<b>45:40</b> Outro and Photo Caption Contest Winners
</p>

<p>As usual, our takes on these movies should be considered definitive and absolute. Except, well, <b>next time</b>, we'll see if more recent events &mdash; J. Robert's interview with Morris in Chicago, Rob's re-viewing of the film in San Francisco, and Morris's essays and comments on the film &mdash; have changed our view of <i>Standard Operating Procedure</i>.</p>

<p><b>UPDATE (1 June 2008):</b> <a href="http://www.erratamag.com/archives/2008/06/interview_and_d.html">Episode 17</a> features a followup discussion of <i>Standard Operating Procedure</i>, including an interview with the director.</p>
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        <title><![CDATA[Now Showing: Weekend&nbsp;of&nbsp;May&nbsp;9]]></title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/05/now_showing_wee_9.html</link>
        <guid isPermaLink="false">411@http://www.erratamag.com/</guid>
        <pubDate>Sun, 11 May 2008 02:02:57 -0800</pubDate>
        <description><![CDATA[            <p><img src="http://www.erratamag.com/images/themanfromlondon.jpg" width=470 height=288 alt="The Man from London" title="The Man from London"><br>
<span class=caption>B&eacute;la Tarr's <i>Speed Racer from London</i></span>
</p>

<p>I skipped last week's "Now Showing" because of the <a href="http://www.erratamag.com/archives/2008/04/51st_san_franci.html">San Francisco International Film Festival</a>, although I filed reviews of David Mamet's jiu-jitsu movie, <a href="http://www.pastemagazine.com/action/article/7338/review/film/red_belt "><b>Redbelt</b></a>, and the British comedy <a href="http://www.pastemagazine.com/action/article/7302/review/film/son_of_rambow "><b>Son of Rambow</b></a> over at <i>Paste</i>. Opening in theaters this week is the garish, retro, futuristic, earnest, campy, swift, turgid, and exceedingly contradictory <a href="http://www.pastemagazine.com/action/article/7416/review/film/speed_racer"><b>Speed Racer</b></a>. I'm delighted that <i>Paste</i> no longer requires reviewers to assign a star rating to a movie or album; this one might have been tricky.</p>

<p>By delivering important information in aggressively brief bursts, <i>Speed Racer</i> seems to test the limits of human perception, and it's doing this to tell a dumb, insincere story and tickle the neurons of 8-year-olds. How best to boil that disjunction into a number? Don't know, not my problem. The negative reviews are the most fun to read (<a href="http://www.villagevoice.com/film/0819,speed-racer-on-a-fast-track-to-nowhere,433809,20.html">Hoberman</a>, <a href="http://nymag.com/movies/reviews/46661/">Edelstein</a>, <a href="http://www.newyorker.com/arts/critics/cinema/2008/05/12/080512crci_cinema_lane">Lane</a>), but <a href="http://www.avclub.com/content/cinema/speed_racer">Scott Tobias's torn reaction</a> is closer to my own feeling. He gives <i>Speed Racer</i> a C.</p>

<p>My own review is one of four or five that could have been whittled from my post-screening notes. Here's an also-ran: I happened to see the film within a couple of days of watching B&eacute;la Tarr's <i>The Man from London</i> at the SFIFF.</p>

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        <title>Caminito del Rey</title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/04/caminito_del_re.html</link>
        <guid isPermaLink="false">410@http://www.erratamag.com/</guid>
        <pubDate>Wed, 30 Apr 2008 23:06:11 -0800</pubDate>
        <description><![CDATA[            <p>Someone walking the <a href="http://en.wikipedia.org/wiki/Caminito_del_Rey">Caminito del Rey</a>.</p>

<p><embed src='http://www.brightcove.tv/playerswf' bgcolor='#FFFFFF' flashVars='initVideoId=1438490562&servicesURL=http://www.brightcove.tv&viewerSecureGatewayURL=https://www.brightcove.tv&cdnURL=http://admin.brightcove.com&autoStart=false' base='http://admin.brightcove.com' name='bcPlayer' width='470' height='398' allowFullScreen='true' allowScriptAccess='always' seamlesstabbing='false' type='application/x-shockwave-flash' swLiveConnect='true' pluginspage='http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash'></embed></p>

<p>No, really, you go on without me. I'll hang back at the camp with a good book.</p>
            
            
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        <title><![CDATA[Discussion: The Films of Michael&nbsp;Haneke]]></title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/04/discussion_the.html</link>
        <guid isPermaLink="false">409@http://www.erratamag.com/</guid>
        <pubDate>Sun, 27 Apr 2008 08:00:00 -0800</pubDate>
        <description><![CDATA[            <p><img alt="Roxie Cinema, San Francisco" title="Roxie Cinema, San Francisco" src="http://www.erratamag.com/images/funnygames-roxie.jpg" width=470 height=353></p>

<p>On this episode of the podcast, we're talking about the films of Michael Haneke. He sometimes seems to be making the same film over and over with intriguing variations. His latest, <i>Funny Games</i> &mdash; the story of a family that is tormented for a few hours by a couple of white-gloved hooligans &mdash; has even fewer of those variations than usual, but the obvious repetition certainly fits among his usual obsessions.</p>

<p>
<b>0:00</b> Intro<br>
<b>2:58</b> Clip: <i>Funny Games</i> (2007)<br>
<b>3:47</b> <i>Funny Games</i> Remade<br>
<b>9:07</b> <i>Cach&eacute;</i> (2005), Serge Daney on Perspective<br>
<b>17:37</b> <i>Benny's Video</i> (1992)<br>
<b>19:35</b> <i>The Seventh Continent</i> (1998)<br>
<b>21:03</b> <i>71 Fragments of a Chronology of Chance</i> (1994)<br>
<b>23:18</b> <i>Time of the Wolf</i> (2003)<br>
<b>32:30</b> <i>Time of the Wolf</i> and <i>Funny Games</i><br>
<b>36:16</b> <i>Funny Games</i> as a Loop<br>
<b>39:41</b> Examples of Rigor<br>
<b>44:05</b> A Different Kind of Watching<br>
<b>49:47</b> <i>The Piano Teacher</i> (2001)<br>
<b>50:17</b> <i>Code Unknown</i> (2000)<br>
<b>52:58</b> Places to Start
</p>
&mdash; Postscript: Rob Watches <i>Funny Games</i> (1997) and <i>Benny's Video</i> &mdash;
<p>
<b>54:06</b> Revisiting <i>Funny Games</i><br>
<b>56:52</b> Misremembering Movies<br>
<b>58:37</b> Revisiting <i>Benny's Video</i><br>
<b>1:02:38</b> Absorbing Violence<br>
<b>1:06:13</b> Cleaning Up<br>
<b>1:08:42</b> What are we really like?<br>
<b>1:11:07</b> Outro
</p>

<p><b>Coming Up:</b> A discussion of Errol Morris's new film, <i>Standard Operating Procedure</i> and an interview with the filmmaker.</p>


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        <title><![CDATA[Now Showing: Weekend&nbsp;of&nbsp;April&nbsp;25]]></title>
        <dc:creator>davis</dc:creator>
        <link>http://www.erratamag.com/archives/2008/04/now_showing_wee_7.html</link>
        <guid isPermaLink="false">408@http://www.erratamag.com/</guid>
        <pubDate>Fri, 25 Apr 2008 09:37:04 -0800</pubDate>
        <description><![CDATA[            <p>Of the films opening in theaters this week, <b>Deception</b> is the latest high concept disappointment. More worthy of examination and discussion is the new film from Errol Morris, <b>Standard Operating Procedure</b>, which examines the infamous photographs taken at Abu Ghraib. It only opens on two screens, so we'll have our podcast discussion next week. The film is a valuable appendix to the other Iraq documentaries &mdash; notably <i>Taxi to the Dark Side</i> &mdash; but it's a series of footnotes instead of a clear argument, stirred together with questionable use of the scandal's iconography and an interview technique that builds up and tears down its subjects in equal measure, adding more mud to an already dark puddle.</p>

<p>See below for a list of films currently in theaters, conveniently organized with the cream at the top.</p>
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